Apply effects efficiently with scripting and batch processing Excerpted from “Adobe Audition 1.5 Classroom in a Book” by Adobe Syst …
Integrated audio recording, mixing, editing, and mastering Record, mix, edit, and master digital audio files with powerful tools that b …
Adobe Audition 2.0 Features Get all the facts about Adobe Audition 2.0 software with this full list of product features. Record and m …
Adobe Audition 2.0 System requirements Windows Intel Pentium III or 4 or Intel Centrino™ (or other SSE-enabled) processor (Pentium …
How to get an audio track from a CD Most CD Audio is copyrighted. Be sure you understand these copyright laws before copying aud …
How to record your voice Be sure to locate yourself in a quiet area to avoid background noise while recording. Using Adobe Audition to …
How to reduce noise in your recording Noise reduction takes a lot of work (trial and error) so don’t get frustrated. Without prof …
How to save your file Remember to choose the proper format when saving your file. From the menu bar, choose File | Save As Choose …
How to use multiple tracks for voice and audio Getting the timing right for a multiple track session is very important. Open Adobe A …
How to save/export your multi-track session Be sure to save both the session and the final exported audio. If you export the audio onl …
How To Record On Your Computer Using Adobe AuditionIncluding a basic set up guide for any program. It doesn’t have to break your …
That’s easy! All you need to do is use the Group Waveform Normalize command in Adobe Audition 1.5 before you master the CD. Whe …
There’s no need to drag out the saxophone and re-record. Let the Pitch Correction effect in Adobe Audition 1.5 come to your res …
You’ve discovered a really fun effect in Adobe Audition 1.5! The Doppler Shifter effect creates the increase and decrease in pi …
Finding normal Excerpted from “Adobe Audition 1.5 for Windows: Visual Quickstart Guide” by Jeff Partyka. One hallmark of a poorly …
On-cues mark the spot Excerpted from “Using Audition” by Ron Dabbs. In theatrical terms, when something is on cue, it occurs when …